Went to see this at the Cameo on Friday. It was on Screen One, quite a grand old-style theatre, complete with pillars, ornate plasterwork, italiante statues and velvet curtains, but with a very shallow slope (not good for shorties like me). The screen is of a decent size and the red velvet seats are plush and comfy, but somehow the cinema still seems to smell like old men. I don't know what it is about the Cameo, but all its theatres smell like this. Maybe something to do with the Tollcross location?
The film was a looker - especially for something shot on digi. Director Jobson wears his stylistic influences on his sleeve - not the grim social realists that the subject might suggest, but rather east-Asian cinema (his next film, The Purifiers, is a martial-arts flick), and in particular, Wong Kar-Wai. He calls it his "hymn to the city" (of Edinburgh) and indeed she has never looked so cinematic - from the National Monument on Calton Hill to the closes and wynds of the Old Town and the smoky pub interiors. It's quite poetic, too, with its narrative meditation on hope, and the performances (especially Kevin McKidd as Frankie) are convincing and at times explosive.
I did find some aspects of the story quite annoying though. It at times feels like an excercise in self-justification (especially give that Jobson is quite open about its semi-autobiographical nature). All the dreadful things that Frankie does (and there are a lot!) seem to be attributable to an external force rather than to the character himself...as if the director is trying to convince you that all this stuff really wasn't his fault. Perhaps I'm being uncharitable...but any sympathy with Jobson I might have had was destroyed by the post-screening Q&A...never have I heard a film director more in love with the sound of his own voice! He repeated himself, repeatedly, for a good 45 mins after the film.
It's been a hot weekend, but the sun has struggled to burn off the summer haar. Still, it's sunny now...off to enjoy it while it lasts!
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