The MORI Lady

Scotland has been in the grip of some crazy weather in recent days. Edinburgh has been spared the brunt of it - no floods here - but it's been unpleasant nevertheless.

So when the hapless MORI lady rang my doorbell on Saturday afternoon, looking apologetic, damp and windswept, I couldn't send her away. She promised her questions would take only 20 minutes, and would be interesting, so as I'm a pushover, I invited her in.

A torrent of hard-hitting, personal, political, bizarre and just plain daft questions was unleashed. First up was "who would you vote for at the next general election", and some general, opinion poll, impression of the government-type questions. They also asked about the biggest issue in education, and a lot of questions about retirement provision - would my parents be living with me in their retirement? - would my children be providing for my retirement? - and other such crystal ball material.

One of the most bizarre questions involved looking at pictures of egg cartons, and identifying whether they were free-range, barn or battery. As they all said what they were on the cartons, I'm not sure what the point of this was - reading test? I also had to pick my favourite real and fictional double acts - French and Saunders, Sooty and Sweep - perhaps Gordon and Tony have decided to work on their relationship and are looking for guidance.

I saw Scorsese's latest, The Aviator, on Friday. It's the story of aviation pioneer, eccentric billionaire, filmmaker and wooer of leading ladies, Howard Hawks.

Leonardo DiCaprio puts in a fantastic, nuanced performance in the title role, surrounded by a big-name supporting cast that includes Cate Blanchett, Kate Beckinsale, Alec Baldwin, Alan Alda and Ian Holm. Blanchett, in particular, manages to capture the essence of Katharine Hepburn - a character who borders on caricature - without overdoing it.

The film, at 166 minutes, is long, but flies by in a whirl of Hollywood glamour, fabulous costumes, business by instinct (huge decisions in split seconds) and airborne adventures. Yet accompanying the glamour and Hawks' outward ascendance is his inner turmoil and descent into madness. Hawks embodied the classic dichotomy - genius and madness . Scorsese treats it well. While mental illness frames both the film and Hawks' incredible achievements, leaving the viewer wondering what happened to Hawks, the darkness isn't overpowering or bleak - just human.